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His outwardly appearance may've undergone a change, but he still doesn't know how to communicate with a girl, forget dating her. A heartbroken Agastya had left the college for this reason.īack to the present: Agastya is now at NASA. Piya had ignored Agastya then, a nerd, and even broke his heart by courting another guy. He was in love with her during the college days, he tells Suhan and Chachu, but she was in love with someone else. It's at this juncture that Champu aka Agastya walks in, looking for Piya. Suhan's 'Chachu' Boney, a lawyer, thinks of ways to wriggle out of the situation. 50 lacs to his estranged wife Piya, now settled in the U.S.
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JAAN-E-MANN begins with Suhan receiving a notice to pay the alimony. The first section of moviegoers would love the film and if it catches on with the masses, there's no stopping the film then. Yes, there are mass appealing moments, but JAAN-E-MANN is a big gamble. The generous usage of English will also restrict its appeal to urban centres. Perhaps, Shirish fell in love with his product and didn't realize that this 19 reeler tends to get lengthy and at times, slow paced.Īlso, Shirish's style of storytelling - very novel and refreshingly different - caters more to the multiplex crowd/elite/big city junta/Overseas audience rather than the aam public/hoi polloi/masses/frontbenchers. If Shirish deserves distinction marks as a storyteller, you need to deduct his points as an editor. There are blemishes that stand out in the narrative. Wait, this doesn't imply that JAAN-E-MANN is a flawless product. The initial reels may give you the feeling that it's all gloss, no soul and perhaps, the director has lost his marbles and experimented at the expense of an uncompromising producer, but JAAN-E-MANN catches you slowly, but firmly and doesn't leave you till the end. Like this reviewer pointed out at the outset, it takes time to get used to Shirish's style of narrating a story. Most importantly, JAAN-E-MANN has its heart in the right place. The technique leaves you wondering, is this Hindi cinema or are you watching a fairytale? If you understand cinema or if you're an avid moviegoer, you'd notice that JAAN-E-MANN is shades apart from Yash Chopra or Mani Ratnam or Priyadarshan or RGV or Rakesh Roshan's movies. There are times when Shirish borrows incidents straight from life you've seen it happening to someone or perhaps, it's happened to you.Īll the same, the execution of the film and the shot compositions are masterly. There are moments that offer tremendous entertainment. The marriage of realism with escapism as also form and content is evident in JAAN-E-MANN. And yes, he makes a terrific impact in his maiden attempt as a storyteller.
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Editor Shirish Kunder wears many hats in his first attempt: Director, story-screenplay-dialogues' writer, background music composer, TV and theatrical promo maker and of course, editor. After all, the biggest of dreams take final shape on the editing table. It's said that editors make fantastic directors. Nope, JAAN-E-MANN isn't purani bottle par naya label. Just when you think that it's going to be a conventional climax, there's a twist again. The second guy faithfully follows the instructions, till a twist in the tale brings about an awakening. Knowing that it's over between the two, the first guy encourages the second guy to get close to the woman both love. At the very outset, you're told that the first relationship has already fallen apart. In JAAN-E-MANN, the story begins where most end. As moviegoers, we are used to following one particular format, which rarely changes. To be brutally honest, it takes time to absorb a new format of storytelling. It's a fresh concept and the twists and turns in the screenplay only ensure that it doesn't stagnate. It doesn't follow the path most love stories charter. But it explores new grounds, in terms of story as well as execution. Is there anything else left to explore? What novelty does JAAN-E-MANN offer then? Is it old wine packaged in a new bottle?
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Sounds familiar?įrom SANGAM to KABHI KABHIE to CHANDNI to SAAJAN, the concept of two men falling head over heals in love with the same woman has been done to death in Bollywood. Her first relationship doesn't work for certain reasons. JAAN-E-MANN is about two guys loving the same girl.
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Let's clear a myth before we get into the analyzing mode.